wine bars and bookstores.
Some send their stuff to the magazines.
They write about rejection, isolation,
the tragic human condition, failed love.
They drag their friends along to ensure applause
and run up the flag declaring 'POETRY NIGHT!'.
Organizers claim poetic awareness their intent,
but no one comes to the stage holding
a god-damn unity candle for their audience.
Even the ones preaching Love and Peace
angle for the spotlight,
for a chance to be heard and understood.
They shout over cigarette smoke
and cappuccino machines.
Much of it is soft, overly-garnished
treatment of standard themes,
treatment of standard themes,
else unintelligible, angst-riddled banter.
Professor observes from the corner table,
Professor observes from the corner table,
applauding, half-sincere.
He also writes poetry, a good deal more carefully.
His collection of haiku is for sale
Where is our Whitman? Our Rimbaud?
Our howling Ginsberg?
beside the pastry display.
Afterwards, they congratulate and embrace
as new hopes are raised and new poems
find their way to the desks of magazine editors.
Afterwards, they congratulate and embrace
as new hopes are raised and new poems
find their way to the desks of magazine editors.
I linger. I clap.
I pick up the magazines.
I pick up the magazines.
Nothing happens.
Has exalted poetry gone the way of the Aztecs?
Has exalted poetry gone the way of the Aztecs?
Where is the voice that rattles the room?
Where is our Whitman? Our Rimbaud?
Our howling Ginsberg?
I long to taste the exquisite madness
of unbridled souls,
for a righteous voice to rise
for a righteous voice to rise
and torch this complacent landscape,
deliver us from sedate, coffee-house prose,
weakling academics absent grit or vision,
and tired, angry verse
such as this.
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